During my first
week in Cambridge, I found out about Castle Hill Open Day, a full-day event
celebrating a local spot called Kettle’s Yard. I only made it for the last few
hours, but I still learned quite a lot about the culture of this area. My time
there included an interdisciplinary art exhibit, two ancient churches, and
other local collections.
After stopping at
a booth nearby a group of kids, who were attentively listening to a
storyteller, I stepped into an exhibition to see the newest works. These consisted
of photographs by Sophie Rickett, who made an appearance for the festival together
with the astronomer Roderick Willstrop from the University of Cambridge. Using
negatives from Dr. Willstrop’s Three Mirror Telescope, Rickett developed
photographs reinterpreting the process of artistic creation as well as the sublime
subject itself. For example, one work features a circular “window” into space,
with a cloudy center reminiscent of the Milky Way. Rickett explained that this
cloudiness is not part of outer space, but a product of chemicals used to
develop the photographs. Thus, the product serves as a reminder of its own
nature. In addition, Rickett took this same image and developed ten smaller versions
in the bold colors of the Eagle Nebula, showing how art can further inspire art. For more information on the different themes of
Rickett’s work, see: http://www.kettlesyard.co.uk/exhibitions/2013/new-art-2013/sophy-rickett.php.
“Pillars
of Creation” depicting the Eagle Nebula, taken by the Hubble Telescope
(Image: http://annesastronomynews.com/wp-content/uploads/2012/02/Pillars-of-Creation-a-star-forming-gas-and-dust-region-within-the-Eagle-Nebula-M16-or-NGC-6611-a-young-open-cluster-of-stars-6500-light-years-away-in-Serpens-Cauda.jpg)
Once I had
finished learning more about the artist, the scientist, and their work, I went
on a tour of two nearby churches. The first, St. Giles’ Church, is relatively
ornate and large. A guide discussed the meaning of the architecture, explaining
that the interior of the church traditionally resembles the design of an ark
and thus evokes a sense of safety. Beautiful stained glass windows line the
walls, and the benches have unique images of saints and animals carved into
them – symbolic meaning can be found in every nook and cranny. After St. Giles’,
we walked back up a hill to St. Peter’s Church, which is a small, pale, chilly
room in comparison. In the otherwise barren center stands a baptism font with
mermen carved into it – it is about 1000 years old! We could see a door had
been sealed shut on one wall to block off the cold winds. The outline of the
door had been left as an indication that the church used to be larger.
So much could be
gleaned from the architecture and modifications to these edifices.
St. Peter’s Church in Autumn
Our tour then
took us into the nearby Cambridge & County Folk Museum, which has some
major artifacts from Cambridge and an old pub room, as well as a café for
afternoon tea, of course. The last stop was Kettle’s Yard house, where we saw
some modern paintings and sculptors collected by the previous owner, curator
Jim Ede (See: http://www.kettlesyard.co.uk/house). One of the iconic sculptures
is a cubic dog, which children were happily replicating with paper mache in a
crafts stall in the backyard.
All in all, this
was a wonderful opportunity to delve into the world of art, architecture, history,
and science. I also enjoyed the blend of the modern and the ancient. I
look forward to visiting more museums and buildings during my time in Europe.